Written in 2023.
The work is a co-composition by Jennifer Torrence and Thrainn Hjalmarsson.
The work grew from an exploration into the playfulness and sonic realm of the instrument “conical claves”, an instrument developed by Hjalmarsson and artist/design duo Brynjar Sigurðarson and Veronika Sedlmair (Studio Brynjar & Veronika) in 2017.
The score was developed at later stages of the collaboration between Torrence and Hjalmarsson and is in part thought out to be a guidance for form rather than a fixed composition.
The work is a part of a series of performances of a currently untitled performance-installation which revolves around Studio Brynjar & Veronika's instrument Circle fute.
The title arrives from Sophie Fetokaki's “Two circular poems”, written especially for the performance-installation.
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Thrainn Hjalmarsson Iceland
Composer, curator and tutor - Hjálmarsson is known for his detailed and finely woven sound world, where the act of listening plays a vital role. Here, the perception of sound is ever transforming, revealing an otherwise obfuscated narrative, unfolding in time. ... more
